Last night, the Gnometown gang caught the first night of the three night Railroad Earth's New Year's Eve run at the Orange Peel. It was a great time spent with friends and family, listening to one of our favorite bands. As a bonus, we got to hear the first live playing of the title track of Railroad Earth's upcoming album, The Last Of The Outlaws.
Here's the set list:
Set 1: Like a Buddha 420 Peace on Earth Been Down This Road Came Up Smilin' Right in Tune Where Songs Begin Carrying Coal to Newcastle --> Chasin' a Rainbow
Set 2: Mission Man Long Way To Go Drag Him Down Colorado For Love The Last of the Outlaws (A) Mourning Flies --> Lone Croft Farewell Crossing the Gap Gold Rush Elko
Encore: Water Fountain Quicksand
(A) First time played. Written by Todd Sheaffer and Carey Harmon
While looking back and reviewing all my YouTube videos and blog posts from this past year, I am beginning to realize that 2013 emerged as a pretty terrific year of live music for the Hometown gang. Black Betty and I were joined by family and friends to boogie to some of the best music ever, played by many of the most talented artists in the world. As I have said before, "There were so many incredible shows, so much inspiring music!" Here is a list of many of the incredible bands that we were fortunate enough to see in 2013:
Donna The Buffalo, Railroad Earth, Cooking With Quanta, Town Mountain, Greensky Bluegrass, Danny Barnes, Willie Nelson, Apple Butter Express, Peter Rowan, Larry Keel and Natural Bridge, The Traveling McCourys, John Prine, The Duhks, Jeff Sipe Trio, The Freight Hoppers, The Horse Flies, The Deadly Gentlemen, Solas, Tornado Rider, Col. Bruce Hampton, Ralph Roddenbery, Bibb City Ramblers, Keller and The Keels, Keller and Traveling McCourys, Taylor Martin Acoustic Band, Mavis Staples, The Corbitt Brothers, Jim Lauderdale, The Brothers Comatose, Stephen Marley, Drive By Truckers, Todd Sheaffer, Rayna Gellert, Strung Like A Horse, Grandpa's Cough Medicine, Darol Anger, Elephant Revival, Kris Kristofferson, Lizzy Ross Band, The Hackensaw Boys, Bobby Miller, Heavy Pets, Mamajowali, Apple Chill Cloggers, David Via and Curtis Burch, Scythian, The Stacks, Vagabond Swing, Leftovers Salmon, Jerry Douglas, Dread Clampitt, Yonder Mountain String Band.
We were in for a special musical treat last night when Todd Sheaffer of Railroad Earth performed a solo show at the Isis Music Hall in West Asheville. It was our first time seeing Todd without the band and our first time at the Isis venue. We absolutely loved both. The venue was intimate, and it was if Sheaffer was in our living room, singing to us, and telling us the stories behind the songs that we know and love so well.
Man, you've got to love Asheville on a Thursday night in November when you can spend it like this!
Black Betty, Becky, and I packed up our little Gnometown on Thursday and headed down I-75 to the Spirit of the Suwannee music park near Live Oak, Florida for Magfest 2013.
The first thing that grabbed our attention as we entered the park was the large crowd. The place was incredibly packed out for a Magfest Thursday. Most of the reserved sites in the campground seemed already to be occupied, and as we approached our regularly sparsely populated, primitive camping area, it was crowded with tents. I never saw this many peeps at a Magfest, even on a Saturday. We pushed just a little further beyond before setting up Gnometown out in the grassy field, amongst the live oaks, Spanish moss, and fire ants. Oh yeah, we were ready for some music.
Home sweet Gnometown.
By the time we got down to the Amphitheater stage, it was time for the legendary Col. Bruce Hampton
and Friends to "Hampmotize" the assembled crowd. The Colonel's band set the mood for the weekend, rocking and rolling, with class and style. They finished with an incredible cover of Cream's, I'm So Glad. If I close my eyes, I can still hear the Festivarian chorus singing along with the Colonel, "I"m so glad, I'm so glad, I'm so glad, glad, glad..." We were glad, indeed.
Col. Bruce.
Next up was the outlaw bluegrass trio, Grandpa's Cough Medicine from the Jacksonville area. We have seen them before at Suwannee and they just continue to deliver the medicine. Brett Bass, guitar picker extraordinaire, is a perfect pitchman for their songs of murder, deceit, and corruption. They are lots of fun and well worth seeking out if they play around your town.
To wrap up the night, we were treated to the Gnometown favorite, Railroad Earth. I was rather surprised that I was approached by several folks (I was wearing a RRE shirt) who had never heard them and wanted to know about them. One guy asked me the type of music they played, and when I replied, "JamGrass" he said, "I like to smoke grass and I like to jam, so I will probably like them." I'm thinking he probably did like them.
Anyway, when RRE took the stage, they did effectively blow the crowd away with their absurdly exceptional musicianship and Todd Sheaffer's wonderfully lyrical songwriting and haunting vocals. It continues to amaze me how they continue to deliver such incredible music. I've never seen a "tired" show or any evidence of the band having a "bad day". Noteworthy of this show, RRE did a spot-on cover of The Band's Acadian Driftwood (I hadn't heard them do that one for a while), and they performed a somewhat short but perfectly jammy and delectable, Head. I actually believe, deep down in my heart that this time, during the heated battle between Tim Carbone on fiddle and John Skehan on mandolin (which drives the song, Head), that John kicked Tim's ass. I've seen this war fought dozens of times, usually with mixed results. This particular time there is no question in my mind who the victor was. Wow!
Railroad Earth.
Todd Sheaffer.
It was quiet back at Gnometown and I slept really good. One advantage of being in the back fields at Suwannee is that it is mostly far removed from the drum circle, all night jams, partying, and drunken yahoo-ing, which is sometimes difficult to escape at music festivals. Believe me, at my age, I value my sleep more than listening to a blow by blow live time account of someone "pushing the fool button".
We were camped in a large area populated by families with lots of young kids so things were quiet at night, and the kids were wide open during the day. Lots of football, soccer, Frisbee, bike riding, sword fighting, tag, etc. It was a very entertaining scene to watch over morning coffee.
We discovered that, despite our best effort to avoid the fire ants, we must have been on top of some. The little buggers were crawling up on the pop-up and causing trouble, so I had to purchase some deterrent from the camp store. Problem solved.
Camp Becky.
The Corbitt Brothers Band was playing at the Meadow stage in the early afternoon. They are friends of Becky's and are a hard-driving southern rock band from the Jacksonville area and have a Franklin, NC connection, so we went and checked them out. They were gritty, passionate, and intense. Brother Isaac on freight train harmonica and brother Newsome on guitar and vocals kept the large crowd dancing in the meadow.
Corbitt Bros.
Later in the afternoon, we returned to the stages for the evening performances. Keller Williams and the Traveling McCourys were on the Meadow stage. No matter how many times I hear this collaboration, I just continue to gain more and more appreciation of it. Keller fits in perfectly with these guys and The McCourys bring it, for sure. You can tell that they have collaborated for many years and have a true respect and admiration for the musicianship of each other and a pure love and understanding of the tunes that they deliver. It clearly shines through in their playing. Besides playing many wonderful tunes from their album, Pick, they nailed a dead-on cover (pun-intended) of the Grateful Dead'sCandy Man. Becky said that although it was never among her favorite Dead songs, hearing Keller and Co. doing it certainly gave her a new appreciation of the song. Man, it was all good stuff!
Meadow stage during Keller and Traveling McCourys.
Next up was Kris Kristofferson at the Amphitheater stage. Yes, he is a legendary songwriter.. Now, this venue was packed out; you could barely make your way down into the amphitheater. Pretty much, it was Kris, his guitar, his trademark voice, his two minute songs. You get the picture. For me, his show would have been better suited for a small bar or honky-tonk than for the big stage. We couldn't quite hang with it; although, I am sure some folks loved it.
Who cares whether Kris rang our bell or not, because John Prine was up next at the Meadow stage. Now, this was the show of the weekend. Prine manifested as the reincarnation of Buddha on stage. He was funny, he was sweet, he was insightful, he was all knowing, and he transcended space and time. He was the intuitive songwriter who wrote all those tender songs which revealed his complete understanding of the human condition. We knew all the words to all his songs. During Sam Stone, you could hear a pin drop. I've never witnessed that phenomenon in such a large festival crowd before. During Hello In There, an older woman who was sitting by me, turned and whispered in my ear, "That song is just pitiful, just pitiful!" I had to agree. Black Betty started crying at Angel From Montgomery and wept through the rest of the show. It was truly a transcendental experience and one of those live music moments that I live for. Kris Kristofferson joined Prine on stage for an encore of Paradise.
After Prine, we walked back over to the amphitheater to listen to Stephen Marley. As a five time Grammy winner and son of Bob Marley, Stephen is no slouch. We listened to some sweet, sweet, reggae before heading back to Gnometown for some quality dream time.
Stephen Marley
Saturday was spent with lots of great music. Tornado Rider started us off with their regular insane intensity and Rashad Eggleston's nonsensical verbal ramblings and hard rocking cello punk band. Next, we dug on the Heavy Pets trancey reggae fusion.
Like almost everyone else at Magfest, we were really excited to see The Duhks again. Leonard, Tania Elizabeth, and company brought the love back to Suwannee with them and it was certainly palpable in the crowd.
The Duhks
Mavis Staples rocks, what can I say? I loved her doing The Weight and praising the late, great Levon Helm. Great stuff, her powerful stage presence took my breath away!
Mavis Staples Band
Donna The Buffalo really brought their "A" game with them. You know, I really love them, and I can't say enough about just how ass-kicking this current configuration of the band is. Dave McCracken, Kyle Sparks, and Mark Raudabaugh, without a doubt, kick up the energy and vibe of the band bringing Jeb and Tara with them. Awesome stuff. My only complaint is that they didn't play all four days! Some sweet boogie time, for sure!
Tara Nevins.
Jeb, Kyle, Mark.
Dave McCracken
Willie Nelson and Family were up next and were as great as ever. I saw them for the first time 33 years ago in Austin, and I couldn't tell that Willie has slowed up any. Actually, few things in this old world can trump listening to Willie sing Always On My Mind on a warm fall evening with your family and friends. The fact the Willie is 80 years old and singing, "Roll me up and smoke me when I die" says it all. This man is truly an American icon. BTW, some lucky fan in the meadow got to go home with Willie's black cowboy hat that he tossed into the crowd during his performance. Just think what a family heirloom that hat is destined to become! Oh yeah, our very own Jim Lauderdale along with Willie's daughter, Amy, came out on stage for the finale.
The Drive By Truckers finished our night out for us. Loud, hard rocking, fun. Hey, it was the Truckers!
Willie Nelson.
Unfortunately, we had to pack up Gnometown on Sunday to head back home to North Cackalacky. So we missed all the great Donna The Buffalo Sunday jams. I hope the tapers got it all recorded and are loading it up to archive, so we can hear what we missed.
Magfest Vibes:
Over all, it was a nice weekend of music. We missed lots of music, but you can only see so much. What we did see was spectacular! The weather was perfect, if not a little hot. Highs were in the 80's, lows in the 60's. No rain, just a light sprinkle for about 5 minutes.
I don't know what they were thinking with the the scheduling of the Porch Stage and the Amphitheater. Many times they had music going on at the same time on these two close-proximity stages. The sound would often bleed through to the other stage while we were trying to enjoy the band in front of us. Bummer. This festival had a much larger crowd than the Magfests of the past. We actually prefer smaller fests, the big crowds tend to make it too difficult to get as close to the music as we like to be. We talked on the way home about the possibility of just sticking with Springfest in the spring and Shakori Hills in the fall for next year. We will see what the lineup looks like.
Black Betty, daughter Becky, and I once again attended one of our favorite music festivals of the year, Music On The Mountaintop, held near Boone, NC. A good time was had by all!
Beauty Spot.
The music speaks for itself. To begin with, THREE DAYS OF RAILROAD
EARTH! That fact alone is worth the price of admission. Besides the
main shows, small, intimate, workshops were also held by musicians from
RRE and various other bands. Sunday saw a super jam tribute to Woody
Guthrie, featuring members of RRE, Larry Keel, Sam Bush, Monroeville,
and others.
Railroad Earth.
THE 2012 LINEUP
Friday
The Black Lillies
River Whyless
Greensky Bluegrass
J.J. Grey & Mofro
Dr. Dog
Railroad Earth
Saturday
Monroeville
Holy Ghost Tent Revival
Rose’s Pawn Shop
Naked Gods
The Hackensaw Boys
Futurebirds
Dirty Dozen Brass Band
Railroad Earth
Sunday
Stoney Creek Boys
Salem Speaks Larry Keel & Natural Bridge
Railroad Earth Super Jam tribute to Woody Guthrie featuring: Sam Bush,
Larry & Jenny Keel, members of Monroeville, special guests and more.
Sam Bush
Hometown, Becky, Black Betty.
Here's the Deal:
The 5th year of Music On The Mountaintop saw a return to the idyllic Grandfather Campground in Foscoe, NC, and a new partnership with jam-grass favorites, Railroad Earth.
The weekend crowd seemed somewhat smaller than last year, overall organization of the event was improved, and production was dialed in.
Music for this three day event was all concentrated on one main stage and sound and lighting were superb.
Noticeably absent this year were the big outdoor gear sponsorships (Chaco, Osprey, etc.) and the very cool green eco-village of last year. I must say that I missed the vibe that they bring to the fest.
The price for this festival continues to be very affordable, but by the time you add on wristbands, parking, and shuttle fees, you come to the realization that you have spent a considerable amount of bucks.
As always, this is a young, friendly, and enthusiastic, music loving crowd.
It's a nice venue for families, the large grassy meadow in front of the stage is the perfect staging area for family fun with lots of room for kids to play and run, under the watchful eye of mom or dad, as they listen to music.
The kids parade continues to be a Saturday afternoon highlight.
Camping, as always was nice, but no camping with your car this year was a bummer for us (ahem) mature Festivarians. The price for parking our little Gnometown pop-up at the festival would have been $150. (can you believe that?) so we parked it 6 miles down the road for $52 for the weekend.
My favorite festival moment came when the entire Super Jam cast came out on stage, and led the crowd in singing the great American anthem,Woody Guthrie's This Land Is Your Land.
Music on the Mountaintop benefits Appalachian Voices, a nonprofit environmental group that focuses on protecting
the central and southern Appalachians.
Greensky Bluegrass got one song in on Friday afternoon before rain shut them down.
The Hackensaw Boys.
Polecat Dancers.
Sunday afternoon Super Jam tribute to Woody Guthrie.
We had a great time at the Orange Peel on Friday night with family and friends and a packed to the rafters sold-out Railroad Earth show. It looks like Asheville is finally hopping on the Hobo train and discovering what we knew all along--that RRE is the one of the hottest and most talented bands touring today. The raw energy was unmistakable. The music, as always, was ass-kicking.
Asheville was well represented with a couple of special guests during the show. It was a special treat to see our banjo playing buddy, Jason Flournoy join in on a jam at the end of the 2nd set. After that, Justin Perkins of Toubab Krewe came out for the encore with his Kora and jammed with the boys to Goat.
That's something you don't get to see every day.
There was no opening band and RRE played two full sets. We certainly got our money's worth, as always. I was so stoked that I could have gone on for another two sets, no problem! This may have been my favorite RRE show yet!
Set One
Head
Cold Water
Old Man and the Land
Gold Rush
The Cuckoo
Black Elk Speaks
The Man Who Invented Sin>
Mighty River
Set Two
Bread and Water
Colorado
Any Road
Daddy O
Forecast>
Black Bear
The Jupiter and the 119
Came Up Smiling>Cuckoo Medley (With Jason Flournoy, Banjo)
Bird In A House
Encore
Goat (With Justin Perkins, Kora)
Railroad Earth
It's New Year's Eve and Black Betty and I are going to celebrate tonight at The Grey Eagle in Asheville (our favorite music venue) with Town Mountain and Acoustic Syndicate (two of our favorite groups).
The following is a list of many of the bands that we saw in 2011. We were fortunate indeed to see most of them numerous times. As I said last year, "There were so many incredible shows, so much inspiring music!"
Once again I would like to thank all the outstanding musicians who helped to make our year so incredibly fun and filled with great tunes.You know that we love you! I'm hoping for a repeat in 2012!
Black Betty and I packed up the little pop-up and cruised on down to the lovely Spirit of the Suwannee Music Park for the 15th Annual MagnoliaFest last week. We arrived in time to set up camp in the usual great spot, find a few Festivarian friends, and head down to the amphitheater stage in time to catch a few of the Thursday night acts.
Col. Bruce Hampton and the Pharoah Gummitt tore things up with their bluesy rock. We love this band featuring Nick Johnson on guitar, Kevin Scott on bass, and Duane Trucks on drums. Col. Bruce even channeled the late great Howlin' Wolf during a blistering cover of Smokestack Lightning.
Next we saw 7 Walkers featuring Papa Mali, Bill Kreutzmann, George Porter, Jr and Matt Hubbard. We had first seen them a year ago at Magfest and have been listening to their killer "swamp-a-delic" jammy bliss ever since. 7 Walkers thoroughly lit it up and warmed the cool night air and played for nearly three hours. They performed many of their own Robert Hunter penned songs and several Dead covers including Sugaree, Bird Song, He's Gone, I know you Rider and encored with New Speedway Boogie. What a way to start out MagFest! As an added bonus we got to meet and talk with Matt Hubbard who stood in the long coffee line with us before the show.
Papa Mail and Bill Kreutzmann of 7 Walkers
Friday, we enjoyed a leisurely morning around camp before heading over to the amphitheater to catch the Mobile Alabama rocker, Grayson Capps.
Friday night, we managed to catchthe jamgrass allstars Railroad Earth who encored with a crowd pleaser, Bird in the House. The Travelin' McCourys and Keller Williams seemed to be a perfect match for each other playing some great tunes from both the McCoury's traditional roots and Keller's more contemporary side (Oh, yes, they played the Port-a-Potty song). Keller / McCoury set on Internet Archive
We also walked over to the new mega-stage at the meadow for the big Lucinda Williams show. It was actually the first time that we saw Lucinda. She has a great band but otherwise maybe more "super-star" status than I'm used to in my local live-music scene.
There was lots of other great bands playing on Friday including: Dread Clampitt, Steel Pulse, Galen Kipar Project, Sloppy Joe, The Corbitt Brothers, and moe.
Grayson Capps
Railroad Earth
Saturday afternoon, Mr Americana himself, Jim Lauderdale, entertained the crowd at the amphitheater with various guests joining him on stage including the Infamous Stringdusters. The Lee Boys featuring the incredible Roosevelt Collier on pedal steel got the meadow rocking. Victor Wooten jammed on bass and provided every one there with a rhythm lesson. By this time if you weren't off your seat and on your feet there was something bad wrong.
Jim Lauderdale joined by The Infamous Stringdusters
Lee Boys with Victor Wooten
The defining moment of the weekend revealed itself to me when Bela Fleck joined Cornmeal for an unbelievably sweet-jam-bliss-eighteen-minute-long Shady Grove. Man! Allie, Kris, and Bela absolutely transcended the physical realm on that one! Wavy Dave really brought it on too and holds his own against the banjo guru! I couldn't believe that I was in the right place at the right time and got to video the whole damn thing! Talk about good karma! I'll get to re-experience this moment for years to come!I still get goose bumps when I watch it.
Cornmeal
Donna the Buffalo played Saturday night on the meadow stage. It was strange to have them so far above and beyond the audience. It's really not the whole Donna vibe. They were absolutely great though. They even started on time if you can believe that. I think it may have something to do with Dave McCracken doing the sound check. And talk about McCracken, is there a better keyboard guy around? Jeb and Tara have really put themselves together a hard driving boogie-groove machine with this rhythm section. Jeb talked some about the state of the nation (as he should) and about the Occupy Wall Street movement. He sang about loving life and the life of the living in a song called All Aboard. Most of all it was just a great Donna show; all about feeling good, feeling the love, singing the words, and dancing! They encored with Hot Tamale Baby before they were booted off stage by the stage manager who was in a hurry to set up for moe. Donna The Buffalo set on Internet Archive
Donna The Buffalo.
Saturday many other bands played including the New Orleans Suspects, Papa Grows Funk, The Mosier Brothers, Grandpa's Cough Medicine, and moe. Sunday schedule included Acoustic Ensemble, The Lee Boys, The Mosier Brothers, Jim Lauderdale, Cornmeal, and Donna the Buffalo.
moe
Magfest Vibes:
As always the camping was sweet. We had some pretty chilly overnight temps in the high 30's so it was good snuggling weather.
The best part of the festival is always reuniting with our festival friends. We were happy to be able to spend time with them. We missed the ones who were unable to make it.
The Meadow Stage now seems to be the main stage. This makes sense to some extent but it seems to be mighty damn big and far away. The sound is absolutely spectacular though.
I see the food vendors are back to taking cash instead of those stupid tickets. I bet they are glad about that.
We liked that the shows started later and the bigger shows at night were staggered so you didn't have to decide who you would see or miss.
We didn't seem to be able to see enough of our old Magfest favorites.
We were bummed that we couldn't stay for the Sunday shows. They are usually our favorite part of the festival especially the Donna and friends jams. We both had to work on Monday with a seven hour drive home.
Boogie Cat was in attendance but was off his boogie!
The apple crisp at Sweet Revenge Cafe is still the best!
After missing Bristol last year, Black Betty and I were happy to be able to attend again this year. Especially after hearing that Railroad Earth would be back.
We were joined by our friends Marie, Sam, Michael, and Melanie at the super sweet Sugar Hollow Campground. This is a beautiful 300 acre wooded campground owned by the City of Bristol Dept. of Parks and Recreation. It has lots of shade, flush toilets, showers, electricity, and sites not big enough for the RV crowd. Sites are $12.00 a night (reserve early summer by phone and check) and a shuttle bus runs the few miles to the music venues on State Street.
Gnometown at Sugar Hollow
Friday evening, we arrived in time to catch our first glance of the David Mayfield Parade at the Piedmont Stage. We were instantly hooked and stood transfixed throughout his performance. All I can say is check him out for yourself. You'll see what I mean.
Next, we caught the young Americana super-star, Justin Townes Earle followed by one of our favorites, Railroad Earth. As always, RRE jammed it out to the delight of the crowd. The mystery group billed as the "High Country Allstars" playing at midnight turned out to be the Infamous Stringdusters! How cool is that?
Railroad Earth
Saturday, we battled the insane State Street crowds to catch several great shows. We managed to see performances by 18 South, The Everybodyfields, Jim Lauderdale, Robert Randolph Band, and Folk Soul Revival.
The much anticipated reunion of the Everybodyfields had to be the highlight of the whole weekend for me. It was really good to see Sam and Jill back on stage together. I don't know that it will last, but the thousands of fans massed at the Piedmont stage singing the songs were evidence that I am not alone in my admiration for this group. We'll see.
The Everybodyfields
So this is the deal, Bristol:
Twenty two stages and over 150 bands? I say it's too much. We've gone to this festival several times over the years and it really has gotten too big, too fast.
There is not enough room on State Street to accommodate the crowds. At least, the Belle Chere Festival in Asheville manages to spread it out in the downtown area where there is room to disperse the crowds somewhat.
And 150 bands? Why? Too many of the groups are playing in horrible little venues with terrible sounds. I can remember several years ago The Everybodyfields trying to play upstairs at the State Line while a rock band was playing downstairs. Needless to say.....
Did I mention that they still smoke in the bars in Bristol?
This year we ended up leaving to eat dinner on Saturday. We could not even find a place that we could get into without an incredibly long wait with total chaos reigning. If you don't choose street food, you may have to get in your car and leave to find a place to sit down and eat. That's what we did.
We still love this festival. It holds a special place in my heart; this is the place that I was introduced to lots of incredibly fantastic bands for the first time. The magic moments and the killer memories still exist.
I understand that I'm not in charge of it and have no say in it. I'm sure that there are scores of people who would disagree with me about the organization of the festival.
Black Betty and I both said that we would have to re-evaluate how we participate in it in the future. Maybe we'll just go during the night and not try to do a daytime thing.
I'll let you know how it goes next year!
Black Betty and I really enjoyed Music On The MountainTop once again this year. It was held at a new location at Grandfather Campgrounds In Foscoe, NC about 10 miles outside of Boone. The venue was very scenic, beautiful, and appropriate and may make a nice home for the future of this festival if they work a few little bugs out.
Once again the lineup was stellar. We got there early on Friday afternoon and set up camp near the Wautauga River. After a little afternoon soaking rain shower (it really knocked the dust down), we headed to the little and remote third stage to see two of our favorite North Carolina bands, The New Familiars and Town Mountain. Unfortunately the stage was experiencing problematic technical sound difficulties through TheNew Familiars set and they finally unplugged, came down into the audience, and played their last couple of songs to the delight of the crowd. You've got to love this band, this is exactly the kind of festival memories that really stay with you and keep you coming back!
We next went to the Main Stage area (Main Stage and Side Stage sat pretty much side by side) and caught Sol Driven Trail, Acoustic Syndicate, and Railroad Earth. This is when things started getting dicey, weather-wise. The sky grew increasingly dark and threatening through Sol Driven Train's set and by the time Acoustic Syndicate came on the rain was pouring down. Acoustic Syndicate sounded really GOOD! They started off appropriately with Water of Love as the crowd danced in the cool rain. Sadly, after just about five songs, nearby lightning forced the end of the set.
After the hazardous weather passed, Railroad Earth came out and performed their hot and jammy tunes. They were just really getting cranked up when the clock hit 11 pm and the sheriff rode up on a golf cart and signaled "cut-it off" and that was it. The boys came out to the edge of the stage and played one last tune unplugged, but that was it for the night. This place had a very strict and enforced noise ordinance! Eleven o'clock on Friday night in Foscoe is as wild as it gets!
Saturday, we hung out at the Main Stage area and checked out tons of good music; Yo Mama's Big Fat Booty Band, Do it to Julia, Greensky Bluegrass, Infamous Stringdusters, Sam Bush, and 7 Walkers.
Hurricane Irene was hitting the Atlantic coast on Saturday, and although we were in the far mountains of western North Carolina, we experienced high winds all day. The bands really toughed it out and took it all in stride. At one point during the Sam Bush show, they had folks holding amps in place to keep them from blowing over and they had to tape the drum set to the stage floor.
All the music was great and 7 Walkers with Papa Mali and Bill Kreutzmann finished the night out right. Talk about your swamp-a-delic rock and roll, they have got it down and do it up right! Besides performing various original Robert Hunter penned 7 Walker songs, they did a few Papa Mali covers and the Grateful Dead's Cosmic Charlie, I Know You Rider, and Wharf Rat. (I really loved their Wharf Rat!) As an added twist to 7 Walkers, they had Kirk Joseph (Dirty Dozen Brass Band) on sousaphone sitting in as bass. I'll bet that sousaphone was hard to hold up on stage in the 40 mph winds!
Of course, we were still in Foscoe so the music once again came to a screeching halt at 11 pm. Papa Mali stated that he'd love to stay and play for several more hours, but alas!
Black Betty, Aimee, Todd Sheaffer, and M Diddy
Black Betty at the Main Stage Area.
Right On:
The music, the lineup, the vibe, the camping, the price, the mountains.
Always a nice crowd. Plenty of clean port-a-johns.
You can bring your own cooler with your own beer and purchase a $10 wristband to drink.
Lots of Outdoor gear and Eco-oriented sponsors.
The best Appalachian-hippie-kids-eco-Mother Earth parade this side of Middle Earth.
This is a great little festival which donates part of their proceeds to a couple of meaningful causes, Appalachian Voices and The Mountain Alliance.
Read more info about this on their website MusicOnTheMountainTop
Near Misses:
I didn't see the need for a third stage. They actually had a really cool and educational Eco-Village set up there and this area was somewhat remote from the Main Stage Area. Several good bands played and much of the crowd never sauntered over there to enjoy them. It seemed to me that there was ample room in the big field for the Village and the extra bands could be dropped or added earlier in the day to the big stages.
There did not seem to be any clear Ingress and Egress into the large Main Stage Area. I don't know where you went in at, but I and hundreds of others had to walk through a campsite, squeeze past a tent, and walk through a narrow opening between vendors. It was very hazardous and haphazard.
The bands (especially the headliners) did not get enough playing time. The sets were way too short, both the fans and the bands seemed short-changed. Eleven pm is a ridiculously early ending time for outdoor live music. If it must be that way let the bands start earlier and jam longer. It really is about the music!
Boohoo, no Caroline Pond, Snake Oil Medicine Show, or Larry Keel this year!
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